|
Shakespeare in Mark Twain’s 1601
|
Hsin-yun Ou |
Hits: 341
|
|
The Earth’s Tragic Drone: Revealing the Incommunicability of Nature’s Mournful Sounds in Wallace Stevens
|
Chih-wei Lin |
Hits: 292
|
|
從身體行動到體驗「活角色的生」： 晚期風格和史坦尼斯拉夫斯基的身體行動方法
|
蘇子中 |
Hits: 259
|
|
Seeing and Hearing through Glass: An Exegesis of the Artificial in Der Sandmann
|
Feng-Shu Lee |
Hits: 284
|
|
Hybridity of Genres in Margaret Cavendish’s The Blazing World
|
Jing-fen Su |
Hits: 275
|
|
從《撒哈拉歲月》英西兩譯本註釋分析翻譯策略
|
古孟玄 |
Hits: 276
|
|
Burning Fat: Edgar Allan Poe’s “Hop-Frog,” Literary Overproduction, and the Engine of Revenge
|
Manuel Herrero-Puertas |
Hits: 454
|
|
Notes on Contributors
|
nccuwr |
Hits: 279
|
